His Own Springtime

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A few words might satisfy

The feverish yearning of my soul

for some master-thought,

That should guide me

Through this labyrinth of life,

Teaching wherefore I was born,

And how to do my task on earth,

And what is death.

Nathaniel Hawthorne, from Monsieur du Miroir

 

 

When the shadow is lifted,

There’s the only the boy,

And the first thing he does

Is become a man,

(Maybe sensing himself for the first time)

The buffer is gone; it’s him alone,

And a great wonder swells in his mind,

What can I do?

His eyes focus

On the yellow of the weeping willow against snow,

The sun caught and frozen there,

And he hears and turns his head

toward the cardinal whose red coat flashes

In front of him, like blood against snow.

He thinks of his dad standing amazed

at that same blood-red plumage,

And the man before him,

and before him, and so on.

There is nothing he can do now, at this time,

Except reflect and build energy

toward his own springtime,

And picture himself budding there,

His roots laid deep in the soil of his ancestry,

Their many failings,

(He still feels it)

Their many successes,

All of it now merging.

He knows, this will be his own final push,

Man, alone, stripped,

Stretching his whole being toward a sun

That is so often obscured,

So often, radiant and warm.

Oxygen

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You’re not gone yet,
Or, are you,
Floating somewhere,
Possibly beside me here
as I write this poem, play this song.
Do you hear the music I hear—
Know my thoughts—
Feel what it is to be emptied?
The lungs close in on themselves
And all around us is less than we need—
Want—wish for—desperately fight to breathe.
Tell me there’s an afterlife,
A place where you’ll wait,
All things separated, rejoined,
The things we can feel,
And the things we believe are here,
Even when we cannot see.

Beautiful World On the Edge of Dying

The world is most beautiful

On the edge of death:

Mid-October geraniums,

Profuse with crimson petals,

Dense green leaves,

Gather in tight families

Around the Aspen’s knee.

The roses,

Who struggled in heat,

Explode in bunches of white

Their outstretched arms

Wind loosely over the tattered fence.

The Aspen’s petioles fade to yellow,

Its leaves are framed with yellow,

The birds flittering among its branches

Tipping in gentle wind.

There is no snow, no stinging cold,

No blister of heat, or ankle-deep mud,

Only knowing it will all end soon,

The landscape will dull,

The skies will drop with silence,

As we’ll wait, and wait,

For what has already been.

Early Fall Ride: Palisades Park

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You should have wished for rain,
But you relished the sun, instead,
And the sweet smell of orchard grass,
In the pinto’s October sweat.
Before you left,
You stood under the bow,
And plucked an apple,
Ripe with the full bloom
Of a long summer.
You held it outstretched
Until all that was left
Was the juice, and the salt
From the palm of your open hand.

You should have wished for rain,
But you relished the sun, instead,
And his slow steps down steep trails,
Adrift of dirt and loose chunks of basalt.
The robin and wren, tree swallows and chickadees,
Flitted among branches of Ponderosa, Serviceberry,
and the Hawthorn with its dangerous nails,
While you thought of nothing but that,
And how your horse’s mane felt in your hands.

Becoming Autumn

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Morning comes late,
And the autumn sun trembles
through Aspen arms.
Didn’t you say,
If the sun didn’t rise,
Or set, there’d be no time?
Yesterday, the eggs were cold,
In a nest of mud, and hay,
And strands from the pinto’s mane;
Such that, even the barn
Closes in on silence.
The family of cats, hunkered down
Behind fresh stacks of alfalfa,
Grow fat on a sudden flush of quail,
And the sun sets sooner now.
At last night’s fire,
You were shocked
At what the old man wasn’t afraid to say.
Later, you laughed at what he’d said,
Talked of the freedom of age,
And the benign closing of our souls.

First try:

The Autumn sun rises late,
Through the arms of Aspen,
Trembling in slow, cool wind.

Second Try:

The late-rising, Autumn sun,
Trembles through the Aspen’s arms,
In a slow, cool wind.

The Worst Thing About Dying

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What’s the worst thing, she asked,

About dying?

The stars, I said, As I leave the barn,

My horses, buried nose-deep in Timothy.

The pounding dirt, I said,

The Irish Wolfhound’s lope,

And the dust of her joy.

My children, I said, Their hate of me,

Then, their love of me.

I will miss all of that.

 

What’s the scariest thing, she asked,

About dying?

It ends in dust, I said,

That upon my death, 

I really die. 

That I am finite, and not

Like the stars, 

That all I am, all I know,

All I feel, is less than the dust

Of the stars, I said.

Room 19, Code Blue

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Immediate resuscitation required.
Sorrow begins in the pharynx,
Descends to the heart and lungs,
Or so you think, because it hurts,
Then, you’re bawling.
You’re sure they announced,
Room nineteen, Code Blue,
Watched enough ER to know
He must be dead or dying.
But then you think,
Because you can’t believe,
Really, such tragedies happen to yours,
Maybe Code Blue means something else,
Like, Get here fast and help,
And, as you start to console yourself,
Convince yourself you were wrong,
The nurse returns to where you sit,
Tells you it was a different Room 19,
A different person in Code Blue,
And you’re relieved,
Utterly relieved, and free.
Until today,
When you begin to wonder
If someday, someone will be relieved
You’re the one in Room 19, Code Blue,
Rather than their own,
Precious, little boy.

What We’ll Remember

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These
Are the things you’ll remember,
Not the big things.

****

Small, small things:

One leaf touched by the sun,

One small smell.

When we are dying,

I promise you,

The memories you will have,

In your last seconds,

Are about these small things

Touching our skin:

One leaf,

One moment with your child.

Not the big things.

We will remember the small things.

These small things are added

To a fulfilled life,

Or not.

Not the big things.

From “The Path of the Horse” Documentary

Klaus Hempfling

Tammany Creek Road

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One sorrel horse. Gelding. 

Twenty-two years old.  Grade.

Twelve hundred fifty dollars.

 

Tammany Creek Road, it winds

Through hills as soft as breasts,

Dotted with cows and calves–

Spring days, you see them born,

Dropped to the ground in glistening sacks,

Mama’s licking too calmly, you think,

As their eyes try to focus on a new world.

 

She pulled a rusty 2-horse straight load

Along the road that winds through hills

As soft as breasts, pulled onto the gravel drive,

As steady, and slow, as resolve.

 

Resolve:

I’ve never seen a woman cry so unashamed,

Over a horse, in front of strangers.

I’ve never seen a horse look so long

Up a road, for a woman to return.

 

John Steinbeck Inspired: Potato Harvest Northern Maine

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potatobb

“I was born lost and take no pleasure in being found.”

John Steinbeck, Travels with Charley

 

Assignments, Orders,
New places and bases
Every two or three years.

Our birth certificates read like travelogues:
Washington, Alaska, California, Idaho
and Maine.
We were from everywhere,
For a little while.

Place.

Loring Air Force Base.
Nineteen eighty one.
Fall Break.
Potato Harvest.
Aroostook County.

Rickety re-purposed buses
Arrive in five am fog,
Loading groggy kids in flannel shirts,
Blue jeans, stiff leather boots,
Mismatched hats and gloves,
Too large for our hands.

Tradition.

Squat farms in provincial towns:
Caribou, Limestone, New Sweden,
The landscape of Northern Maine,
Ripe with French Canadians,
Large Catholic families,
Working hard to keep their homes.

This is what I remember:
Scrambled eggs in bacon grease.

Legend:

A man
Picked over two hundred barrels,
In one day.

Wicker baskets
Placed between our legs,
We were faceless kids
Picking and tossing
Newly flushed-out spuds,
Some tight and ripe,
Others half gone with rot.

Instructions:

Dump them into barrels,
Tag them with your number,
Wait for the tractor
To plough another row.

Twelve: my number.
Thirty: the number of barrels I filled.
Fifty cents: the pay per barrel.

Legend:

A kid, a picker, fell asleep in a dirt row.
He was run over by a tractor.
He died.

Maybe that wasn’t legend.

Memory.

Without lies,
There’s no poetry.
Without lies,
There’s no hope.

River Gods

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     I do not know much about gods;  

     but I think that the river

     Is a strong brown god –

     sullen, untamed and intractable.

T.S. Eliot, Four Quartets: Dry Salvages

 

Nothing makes you feel more alone–

Yesterday’s twenty miles of river

Calculated today, a lifetime.

The hunting bird, you said eagle,

Then, you said Osprey,

It was an Osprey.

Great beautiful white-winged thing

Hunting the Spokane River

For the one that jumps too high,

Makes itself too known,

Dares to release itself

From the swelling under-swell.

 

Listen to T.S. Eliot read Four Quartets.

The Stricken Ones

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I remember what it was like
To be unstricken,
To think my life would go on,
To think I was owed a spot here,
And that spot was permanent.

Once your body lets the thing
Grow, you understand something else,
That mercy comes in miracles:

The Canada Geese overhead are miracle,
The smell of your son’s hair is miracle,
The arms of your friend wrapped ’round you,
Saying, it will be okay, is miracle.
Love is a miracle.
That we can be loved is a miracle.

I asked only that I’d see my son graduate,
And I did. That is a miracle.

I am a stricken one.
I was stricken long ago.
I’m part of the great finite,
And I’m part of the great forever,
So in need of mercy,
So thankful for miracles.

My Mother’s Breast with Cancer

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Think of yourself motherless
In this false, frail world.
This world where you don’t touch blood,
Or suffering, or death, but hope
Someone will be there to touch yours.

She pulled my hand to her bare breast,
Cupped it underneath,
Rested the heft of it,
In my palm:

Do you feel it, she asked.
I feel it, I said.

I feel it.