Song of Sorrow and Joy: 3

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III

And now, I pause

at the feet of your memory:

Your laughter,

before there was nothing

To laugh about,

Your strength,

Your fatal optimism in your strength.

I’ve learned,

Being a rock, a steady hand

Wasn’t always conducive

To being a full man.

And there is the regret,

(Mine, not yours),

But it’s too late for regrets.

We are who we are,

And so little escapes that reality;

What forms us,

Forms all others, formed me.

Sometimes, we are left to weep

at what could have been:

We could have called,

We could have written,

We could have cherished,

The moments we came

Wanting to be cherished.

I misspoke,

When I said imperfections fade away–

They don’t,

But there is no anger,

Only a dull futility:

The reality that is, versus

What we hoped it would be.

Song of Sorrow and Joy: 2

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II.

I’ve seen enough of spirit to know

that you’ll still be here

when I write of letting go.

How love becomes energy,

And energy can’t be destroyed.

The power of memory:

Imperfections, fade away,

Only Love remains,

As a steady anchor,

A steady hand through—

It’s been a while

since I’ve seen you laugh,

(There’s not much joy in dying,)

Yet, I remember your laughter, too,

Your tears wiped away from crying.

And it makes me smile now,

How we watched you break down,

Such a serious father,

Completely undone

By your laughter.

Song of Sorrow and Joy

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“Once I heard a song of sweetness,

As it cleft the morning air,

Sounding in its blest completeness,

Like a tender, pleading prayer;

And I sought to find the singer,

Whence the wondrous song was borne,

And I found a bird, sore wounded,

Pinioned by a thorn.”

I.

The song of joy comes

From the same place as sorrow:

All losses bound together

With all gifts,

Wonder and tragedy,

Sifted, then mixed.

I will hurt no more, I said,

And it was as if my soul

Was dead to happiness, too.

But now I stand,

Ready to let go of you.

These Silent Months

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These silent months:

No keys

Struck,

No strings

Plucked,

Or strummed,

No words strung together

To write a poem.

Said another way,

Everything that heals

Has faded away.

Yet, here I am again

Trying to make sense

Of the void.

Loss,

There is so much to lose,

We are willing to toss away now.

Have I tossed away now–

The joy of now–

Because I am afraid of losing?

Letting go, letting go, letting go…

Keep saying that,

One hundred times,

Then more.

Wolfhound Mourns our Wolfhound

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I watch my wolfhound mourn

the loss of our wolfhound.

Her sighs, like cries,

a wheezing must of being alone.

The certainty of death:

A large hole we dug

To lay his body.

Hole covered,

It’s now a patch of dirt

Among a browning grass.

Such loss does not get easier.

Did you think it would?

Day four,

And she still cries in her sleep.

I join, and cry for her,

for him, for me,

for constantly losing good things,

noble things,

Beings, we so wanted

To keep.

Knowing How To Fall

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“I do know how to pay attention, how to fall down –”

I will trace your body with my fingers,

I will kneel before you with cupped hands,

Because that’s what it is to love,

To memorize this moment we inhabit,

To see your chest rise and fall

In mutual breath and beating hearts.

Doesn’t everything die at last, and too soon? 

All those who have passed, there,

beyond the smoke, is the mountain:

Minutes, seconds, days, and months

Turn to years, but always the mountain,

Who recognizes only eternity.

And here, we embrace in its shadow,

Speak words, like living things do.

Comfort, does it comfort you

to hear your name spoken from my lips,

To know, someone will fall down

When you’re gone?

*Italics are verses from, The Summer Day, by Mary Oliver

A Hideous Brightness

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Drought year,

Everything is dying early.

We realize what is hearty,

And what is not.

Weeds, they multiply,

Even after we spray,

As if they know,

This is their time.

They sink taproots,

And suckle what is left

Of underground aquifers.

We’re breaking heat records in June;

The sweltering, unrelenting sun

Is just getting started.

How many trips to the barn,

Down this cackling road?

The day I saw the barn cat

Kill father Robin–

It was an ominous sign

For the foal.

And then I succumbed

To this hackling cough.

Death is a time for prayer,

Calling out

for whatever hope God can spare.

Cries sent, not into a dark night,

But a hideous brightness.

Listen: Black Lives Matter

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We don’t understand what the birds say,
Or, the horses, who nicker and neigh.
The raven sounds far away, a message,
We think, a harbinger of what will come,
On this path today. A fellow traveler?
A moose, a deer, we can’t know,
But we try to know.
Yet, people cry out to us in real words,
We thought we knew: Black Lives Matter,
Isn’t that true? Isn’t it a simple thing
to say, but you insist it’s wrong:
All lives matter. They do.
But which of us is hurting now, friend?
Which of us feels our lives might end,
Or, be judged for the color of our skin?
Why can’t our words be simple again,
and our hearts open, to a better beginning?

The Difficulty Getting Here

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It’s a wonder I’m here, progeny of lost souls,

orphans, abandoned wives, poverty & places

so uninhabitable, unsustainable—

Yet, I’m here, and the generations beyond me

refuse to wither, too.

When the earth begins to close,

there’s always just enough left

to sustain us. One small patch of grass,

free of weeds, or drought,

and just enough blue sky and sun.

We find that place, and stay long enough

to drag another survivor on.

Blood In the Air

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If air could bleed,

the space between us

would, indeed, pour out.

Hate is a balm

for our hurt,

and the danger

we fear,

becomes anger.

My dear,

Are we beyond healing?

Or, is there yet

a latent spark

of forgiveness?

Remember when

we so easily embraced:

bone against bone,

a crushing lust,

our mutual love.

But now there’s dust,

and if the space between

could bleed,

it would drown us.

A Low Barrier Between Life and Death

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I wonder how many have plunged,

broken bodies against the steep,

unforgiving basalt, to flow far away

from the tether of this rocky outcrop.

There are worse places to die

than underneath a basking ponderosa,

on a glorious day in deep winter,

high, above the earth’s mucosa.

Here is heaven, its gods, the osprey and eagle;

they preside from piney thrones, regal,

and survey with indifferent contemplation;

from their perch, suffering is also celebration.

There are less noble ways to die,

than beneath the wings of geese.

See them glide peacefully

over the rapids of the Spokane,

rage of water in the ears,

shiver of blue sky, full sun.

Yet, if hopeless traveler made the steep climb

to this one, celestial throne:

its blood, a brilliant green moss,

its body, the bare, leafless skeleton of alumroot,

entreating with outstretched arms:

See, the promise of spring.

If they were to navigate loose rock,

on the treacherous path that leads here,

would it be enough to make them cling

to the rock wall in front of me,

this low, precarious barrier between?

Let Life Rhyme Again

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I lost my desire to rhyme

about the same time

plexiglass invaded our stores

and pimply clerks ordered

me to click the bleached pads

of dollars, exchanged for goods–

shoppers, too long locked up

and lonely, a kind of death usurped

a joy, usually reserved for spring,

and retuning things,

but the unknown lacks name,

and there’s no map through,

our hearts were confused

and there were no rhymes,

and no rhythm, because time

ceased to be the count count

of seconds, minutes, hours–

Remember, I said it,

it’s unknown, the future bits,

wrinkled, in those deep wrinkles

a hot iron can’t unwrinkle–

so we resigned ourselves

to the sloppiness of prose,

in uneven meter,

I mean, me,

I resigned myself to getting by,

and now I’m on the other side,

of a vaccine,

MRNA with a spike protein,

and I say inject it in these veins,

so I may return to living again,

a life, with enjambed rhymes,

with slant rhymes, NO, a life

with hard rhymes,

like strife,

and knife,

and happiness.

Promise of a New Start

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“There were ten thousand thousand fruit to touch, Cherish in hand, lift down, and not let fall.” Robert Frost

Yet, they do fall, and silent, rot

beneath the changing bow.

Birds gather to peck the flesh

making less of loss,

Or perhaps, no loss at all.

You see,

the Universe claims everything

we leave behind.

Our regrets, too,

like spoiled fruit,

eventually fall away

scavenged by the sun.

Seeds are revealed

inside what we took as dead.

Trust me, next spring

there will be a new start.

Hope We’ll Live Through It

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“The hope is that if you live through it, there will be art on the other side.” (Louise Glück)

Two hundred and twenty days,

the sun and sky, still uncaged,

yet, our lives, like flotsam,

float further and further away

from what we knew:

The Fox Theatre sits empty.

And my friend,

how we’ve drifted apart,

you, on your wreckage,

me, on mine, further and further

from the place. Our lives hit

that large rock. The ship

is lost, lost, lost.

Will someone find us,

and salvage what is left?

What is left?

Remind Me

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The final chapter is full of thank yous,
breathing in the mystery of Canada Geese,
whose wings pierce the ravine, the V of it,
gliding inches above the Spokane River–


remind me, I say, remind me; I never want to forget,
and inhale deeply, as if I could take that feeling
into my soul-bones, my image keeper–
a fragile place, for sure, always in need
of being reminded by those who felt it, too.


He told me, you will remember the old things best,
the very old memories, you want to forget.


I say:
We appreciate too late,
the most beautiful things.

It’s sad to think I’ll remember
the one who didn’t love me,
rather than the one holding me now,
holding this memory of the geese.

I think I will write a poem to keep it,
to remind me of what it is to fly,
to love, to pause for a moment
and try to inhale this feeling.


Smoke Taint: 2020 Vintage

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What does fire taste like in the glass,

Our fear, red with hate, the flames

of civil war? The skin, and the smoke,

cannot be divided; they say

it tastes like ash, what is left

when the smoke clears.

We can see the devastation.

Remnants of a vineyard;

what was there, before tragedy

made our eyes cry with anger.

The tree and native grasses

are poured out, consumed together,

while the vine exists in water it stored,

but cannot save its fruit.

Its creation, aging in the hot fog

of dreams. Life was supposed to be

the taste of flowers, plums, currants,

and only hints of tobacco,

swirled in our glass.

Our Once Shared Existence of Earth, and How the Virus Undid Us

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In this season, of triple digit days,

Anger gives way. It withers.

I said, I’m argued out about living,

What it means to be free, and human.

She is right, after all, I’m not an expert.

What do I know about a virus,

Which isn’t informed by the trees,

or clouds, or the way a horse sounds

when it calls to me in the dark?

I can only speak of the heart,

and even that, with authority of one,

my own heart, and how it breaks

To see the growing cries for help. Hate,

A distant thrum, beating, what it means

To be hurt, and hurt back harder.

Is any of this new? Or unique?

But we sought each other anyway,

To stake claim on our opinions;

The lost way, of friendship and loving,

Something which came easy to us, once,

When we valued living over living,

A life we could touch with our hands,

sending our fingers deep into the dark soil;

To be truly clean meant dirt under our nails,

For weeks, for months, dirt under our nails.